Quentin Tarantino is not impressed with Paul Dano‘s performance in Paul Thomas Anderson‘s There Will Be Blood.
During a recent appearance on The Bret Easton Ellis Podcast, the two-time Academy Award winner shared his list of the best movies of the 21st century. Tarantino ranked the 2007 western-thriller at number five, noting that it “would stand a better chance to be in number one or number two if it didn’t have a big giant flaw in it.”
“And the flaw is Paul Dano,” Tarantino said on The Bret Easton Ellis Podcast, via People. “Obviously, it’s supposed to be a two-hander, and it’s also so drastically obvious that it’s not a two-hander. … He is weak sauce, man. He’s a weak sister.”
The director commended Daniel Day-Lewis‘ performance in There Will Be Blood, which notably earned him an Oscar. “Daniel Day-Lewis shows that he doesn’t need [a strong foil in the movie]. He doesn’t need anything. The movie would’ve had more — there would’ve been more stringiness to the beef. And again, it’s supposed to be a two-hander, and it’s not,” he said.
Ellis argued that Day-Lewis’ portrayal of the role of Daniel Plainview was “so gargantuan” that it may have overtaken Dano. Tarantino responded to his theory, saying, “So you put him with the weakest male actor in SAG? The limpest dick in the world?”
The Hollywood Reporter reached out to representatives for Dano and did not hear back by the time of publication.
“I’m not saying he’s giving a terrible performance,” Tarantino continued. “I’m saying he’s giving a non-entity [performance]. I don’t care for him. I don’t care for Owen Wilson, I don’t care for Matthew Lillard.”
There Will Be Blood earned two Academy Awards: one for Day-Lewis in the best actor category and another for cinematography. The film picked up a total of eight nods, with THR predicting its awards success in a 2007 review.
“Built around another powerhouse performance by Daniel Day-Lewis, it’s a certain awards contender and will be a strong draw for serious moviegoers,” John DeFore wrote, later adding, “Daniel Day-Lewis stuns in Paul Thomas Anderson’s saga of a soul-dead oil man.”
